In this article, we will explore the impact of Wooded Dunes in various areas of contemporary society. Wooded Dunes has been the subject of study and controversy for decades, and its influence ranges from popular culture to world politics. Through the analysis of Wooded Dunes, we will be able to better understand how it has shaped the way we live, think, and relate to the world around us. From its origins to its future projection, Wooded Dunes continues to be a topic of debate and reflection, and this article aims to examine the different perspectives that exist around this phenomenon.
Painting by Jacob van Ruisdael
Wooded Dunes, also known as Dune Landscape, Peasant Cottage in a Landscape, Wooded Dunes and Cottage in a Grove is a 1646 oil-on-panel painting by the Dutch Golden Age painterJacob van Ruisdael. It is in the collection of the Hermitage Museum in St. Petersburg.[1]
The painting shows a landscape of small dunes, with a peasant on the side of the road, with his bundle and stick beside him. To the left is a pool; on one bank stands a workman conversing with two seated figures; on the opposite bank are trees. There is little green in the foliage, which has been much worked on with the mahl-stick. The foreground seems to be unfinished.[2][3]
This work is one of the earliest known Ruisdaels. He was only a teenager when he created it. The dimensions are remarkably large for a starting artist: 105 x 163 cm. [1] It is signed and dated 1646. It is unknown who painted the figures.[2] Art historian Seymour Slive doubts the staffage is of the hand of Ruisdael's father, Isaack van Ruisdael.[1]
The painting is known by various names. The painting is called Dune Landscape in Slive's 2001 catalogue raisonné of Ruisdael, catalogue number 615.[4] The painting is called Wooded Dunes in Hofstede de Groot's 1911 catalogue raisonné, catalogue number 895.[2] The Hermitage calls it Peasant Cottage in a Landscape on their website, inventory number 939.[5] Kuznetsov calls it Cottage in a Grove in his book about Russian Ruisdaels.[6] Finally, Irina Sokolova, curator at the Hermitage, called it Small House in a Grove in her book.[7]
A smaller version, also dated 1646, is in het Goeverneurshuis in Paramaribo, Suriname. That one is catalogue number 610 in Slive's 2001 catalogue raisonné.[4]
Kuznetsov, Yuri (1983). Jacob van Ruisdael. Masters of World Painting. Leningrad: Aurora Art Publishers. ISBN978-0-8109-2280-8.
Slive, Seymour; Hoetink, Hendrik Richard (1981). Jacob van Ruisdael (Dutch ed.). Amsterdam: Meulenhoff/Landshoff. ISBN978-90-290-8471-0.
Slive, Seymour (2001). Jacob van Ruisdael: a Complete Catalogue of his Paintings, Drawings, and Etchings. New Haven, Conn.: Yale University Press. ISBN978-0-300-08972-1.