Transition (music)

In today's world, Transition (music) has gained significant importance in different areas. Whether in the academic, professional, or personal sphere, Transition (music) is a topic of interest and relevance that deserves to be explored in depth. Its impact extends to various areas, influencing everything from social trends to technological advances. In this article, we will delve into the fascinating world of Transition (music), exploring its implications, its evolution over time, and its influence on today's society. From its origins to its presence today, Transition (music) has become a fundamental element that deserves to be analyzed and understood in its entirety.
Transition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 13-16 Playⓘ.[1]
Transition in the exposition of Mozart's Sonata in C Major, K. 309, I, mm. 21-32 Playⓘ
Transition in the recapitulation of Mozart's Sonata in C Major, K. 309, I, mm. 116-126 Playⓘ

A transition is a passage of music composed to link one section of music to another. Transitions often function as a moment of transformation and may, or may not in themselves, introduce new, musical material.

Often in music, the transition is the middle section or formal function, while the main theme is the beginning, and the subordinate theme is the ending.[2] It may traditionally be a part of the sonata form's exposition in which the composer modulates from the key of the first subject to the key of the second, though many Classical era works move straight from first to second subject groups without any transition.

For example, transition may be defined as different from a subordinate theme (rondo form) or a developmental core.[3]

In sonata form, a retransition (the transition to the recapitulation) is the last part of the development section which prepares for the return of the first subject group in the tonic, most often through a grand prolongation of the dominant seventh.

See also

Sources

  1. ^ Benward & Saker (2009). Music in Theory and Practice: Volume II, p.137. Eighth Edition. ISBN 978-0-07-310188-0.
  2. ^ Caplin, William E. (2009). "What Are Formal Functions?", Musical Form, Forms & Formenlehre: Three Methodological Reflections, p.27. Berge, ed. ISBN 90-5867-715-X.
  3. ^ Caplin (2009). "Response to the Comments", p.54. ISBN 90-5867-715-X.


Stub icon

This music theory article is a stub. You can help Wikipedia by expanding it.

Wikious
Boobota
Sagapedia