In today's world, The Good Shepherd (Murillo) has become a topic of great relevance and interest to a wide variety of people. From its impact on society to its influence on the economy, The Good Shepherd (Murillo) has generated numerous debates and generated growing interest in its study and understanding. In this article, we will explore different aspects related to The Good Shepherd (Murillo), analyzing its importance, its implications and its evolution over time. What is the role of The Good Shepherd (Murillo) today? What has been its impact in various spheres of life? These and other questions will be addressed in order to provide a complete and detailed vision of this topic that is so relevant today.
Painting by Bartolomé Esteban Murillo
You can help expand this article with text translated from the corresponding article in Spanish. (October 2021) Click for important translation instructions.
View a machine-translated version of the Spanish article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at ]; see its history for attribution.
You may also add the template {{Translated|es|El Buen Pastor (Murillo)}} to the talk page.
^(in Spanish) Morales, Nicolás; Quiles García, Fernando (2010). Sevilla y corte: las artes y el lustro real (1729-1733). Madrid: Casa de Velázquez. ISBN 978-84-9682-035-7, p 211
Bibliography (in Spanish)
Esteban Lorente, Juan Francisco (1990). Tratado de Iconografía. Madrid: Istmo. ISBN 84-7090-224-5.
Martínez, María José. «Su vida y su época». Murillo. Los Genios de la Pintura. Valencia: Edicicones Rayuela. ISBN 84-7915-082-3.
Morales Martín, José Luis (2000). «Escuela Española». El Prado. Colecciones de Pintura. Lumwerg Editores. ISBN 84-9785-127-7.
Morales, Nicolás; Quiles García, Fernando (2010). Sevilla y corte: las artes y el lustro real (1729-1733). Madrid: Casa de Velázquez. ISBN 978-84-9682-035-7.
Triadó, Manuel (2001). La Pintura Española. Tomo: El siglo de Oro. Arte Carroggio. ISBN 84-7254-364-1.
Valdivieso, Enrique (1992). Historia de la pintura sevillana. Sevilla: Guadalquivir. ISBN 84-8608-076-2.
Valdivieso, Enrique (2010). Murillo. Catálogo razonado de pinturas. Madrid : El Viso. ISBN 978-84-95241-77-1.