In this article, we will explore Street art in Melbourne and its impact on today's society. Street art in Melbourne has been a topic of interest and debate for a long time, and its relevance continues to be evident in various areas. Different perspectives and approaches that have emerged around Street art in Melbourne will be analyzed, as well as its evolution over time. In addition, the implications that Street art in Melbourne can have in different contexts will be addressed, from everyday life to the global level. This article will provide an exhaustive analysis of Street art in Melbourne and its influence on various aspects of society, with the aim of offering a comprehensive and enriching vision of this broad and significant topic.
Diverse range of street art and associated subcultures of Melbourne, Australia
Melbourne, the capital of Victoria and the second largest city in Australia, has gained international acclaim for its diverse range of street art and associated subcultures. Throughout the 1970s and 1980s, much of the city's disaffected youth were influenced by the graffiti of New York City, which subsequently became popular in Melbourne's inner suburbs, and along suburban railway and tram lines.
Melbourne was a major city in which stencil art was embraced at an early stage, earning it the title of "stencil capital of the world";[1] the adoption of stencil art also increased public awareness of the concept of street art.[2] The first stencil festival in the world was held in Melbourne in 2004 and featured the work of many major international artists.[2]
History
Melbourne is the proud capital of street painting with stencils. Its large, colonial-era walls and labyrinth of back alleys drip with graffiti that is more diverse and original than any other city in the world.
Prominent international street artists such as Banksy (UK), ABOVE (USA), Fafi (France), D*FACE (UK), Logan Hicks,[7] Revok (USA), Blek le Rat (France), Shepard Fairey (USA) and Invader (France) have contributed work to Melbourne's streets along with visitors from all over the world, most prominently Germany, Canada, the United States, the United Kingdom and New Zealand.[8]
While there are small areas throughout Greater Melbourne where various forms of street art can be seen, the primary areas in which street art is most densely located include:
The proliferation of street art in Melbourne has attracted supporters and detractors from various levels of government and in the broader community. In 2008 a tourism campaign at Florida's Disney World recreated a Melbourne laneway cityscape, decorated with street art. Victorian Premier John Brumby forced the tourism department to withdraw the display, calling graffiti a "blight on the city" and not something "we want to be displaying overseas."[10]Marcus Westbury countered that street art was one of Melbourne's "biggest tourist attractions and one of its most significant cultural movements since the Heidelberg School".[11]
Some street artists and academics have criticised the State Government for having seemingly inconsistent and contradictory views on graffiti.[12] In 2006, the State Government "proudly sponsored" The Melbourne Design Guide, a book which celebrates Melbourne graffiti from a design perspective. That same year, some of Melbourne's graffiti-covered laneways were featured in Tourism Victoria's Lose Yourself in Melbourne campaign. One year later, the State Government introduced tough anti-graffiti laws, with a maximum penalty of two years in prison. Possession of spray cans "without a lawful excuse", either on or around public transport, became illegal, and police search powers were also strengthened. According to Melbourne University criminologist Alison Young, the "state is profiting from the work of artists doing it, but another arm of the state wants to prosecute and possibly imprison (such) people."[12] Since laws were tightened, local councils have reported a "spike" in vandalism and an increase in tagging on commissioned murals and legal street art. Adrian Doyle, founder of the Blender Studios and manager of Melbourne Street Art Tours, believes that people who tag have become less considerate of where they put their tags for fear of being caught by police, and are "paranoid so they are taking less time—tags are less detailed".[13] In 2007, the City of Melbourne started the Do art not tags initiative—an education presentation aimed at teaching primary school students the differences between graffiti and street art.[14]
Some local councils have accepted street art and have even made efforts to preserve it. In early 2008, the Melbourne City Council installed a perspex screen to prevent a 2003 Banksy stencil art piece named Little Diver from being destroyed. In December 2008, silver paint was poured behind the protective screen and tagged with the words: "Banksy woz ere".[15] In April 2010, another stencil by Banksy, also painted in 2003, was destroyed—this time by council workers. The work depicted a parachuting rat and it was believed to be the last surviving Banksy stencil in Melbourne's laneways. Lord MayorRobert Doyle said: "This was not the Mona Lisa. It is regrettable that we have lost it, but it was an honest mistake by our cleaners in removing tagging graffiti."[16]
The Melbourne City Council acknowledged the difficulties that hinder the preservation of street art, with their graffiti management plan for 2014–18 stating: "Protection of street art is not practical. The only exception may be especially commissioned works".[23]
Events
Empty shows: illegal exhibitions held in derelict buildings since circa 2000[24]
Stencil Festival: The first stencil art festival in the world was held in Melbourne in 2004. It was held annually until 2010.[25]
Street video projection event: video projection events were held in Gertrude Street, Fitzroy in mid-2008.
Melbourne Stencil Festival
The Melbourne Stencil Festival was Australia's premier celebration of international street and stencil art. Since its inauguration in 2004 the festival has become an annual event, touring regional Victoria and other locations within Australia. The festival was held for 10 days each year, involving exhibitions, live demonstrations, artist talks, panel discussions, workshops, master classes and street art related films to the general public. It featured works by emerging and established artists from both Australia and around the world.[26]
Since its inception, the Stencil Festival featured some 800 works by over 150 artists, many of whom were experiencing their first major art exhibition, finding it difficult to be exhibited in major commercial galleries reluctant to display emerging art forms. The first Melbourne Stencil Festival was held in a former sewing factory in North Melbourne in 2004.[27]
2004 – The inaugural festival was held over three days in a warehouse in North Melbourne.
2005 – Featured a ten-day exhibition at the refurbished Meat Market art complex. The festival was supported by the City of Melbourne and saw more than 700 visitors on the opening night.
2006 – The festival moved to Fitzroy, a major location of street art in Melbourne, and was held at the Rose Street Artists Market. For the first time the four-day event was also held in Sydney. It received reviews in major mainstream media in both Melbourne and Sydney.
2007 – Featured a total of 75 artists from 12 countries with more than 300 works. The Melbourne event alone was attended by more than 4,000 visitors with 500 people on the opening night alone. It also attracted a wide range of media coverage including daily newspapers, community radio and street press.
2009 – The Melbourne Stencil Festival 2009 ran between 25 September and 4 October 2009.[28]
2010 – The Melbourne Stencil Festival transformed in the "Sweet Streets" Festival, an all encompassing festival of street and urban art. It ran between 8 – 24 October 2010.[29]
All Your Walls
An event in which the entire iconic Hosier lane was repainted by over 150 artists. Produced by Invurt, Just Another Agency and Land of Sunshine in conjunction with the National Gallery of Victoria. It ran between 27 – 29 November 2013.[30]