Stammheim Missal

In this article, we will explore the fascinating world of Stammheim Missal. From its origins to its impact on today's society, Stammheim Missal has been a source of interest and debate. Throughout history, Stammheim Missal has played a crucial role in different areas, influencing everything from culture to economy. Through in-depth analysis, we will examine the many facets of Stammheim Missal and its relevance in the contemporary world. By exploring its different dimensions, we will seek to better understand its importance and the role it plays in our daily lives. Likewise, we will analyze its evolution over time and its potential impact in the future.
St Bernward of Hildesheim

The Stammheim Missal is an illuminated manuscript Roman Missal made between 1160 and 1170. It is now in the J. Paul Getty Museum, having been acquired from the private collection of the barons of Fürstenberg, who sold it to raise funds to repair Schloss Körtlinghausen. A Carolingian ivory diptych had been used for its binding, but was removed in 1904 and was in the State Museums of Berlin until 1945, when it disappeared during the bombing of Berlin in World War II.

It was produced by the priest Henricus of Middel for Hildesheim Abbey, and was later held at Stammheim Castle. It was made in the same era as the Ratmann Sacramentary. It is richly decorated with full-page miniatures, including one showing Bernward of Hildesheim (died 1022, subject of a local cult from 1150 and formally canonised in 1192).

References

  • Teviotdale, Elizabeth C. The Stammheim Missal. Getty Museum Studies on Art (Los Angeles: J. Paul Getty Museum, 2001)
  • Teviotdale, Elizabeth C. "The Pictorial Program of the Stammheim Missal." In Objects, Images, and the Word: Art in the Service of the Liturgy. Colum Hourihane, ed. (Princeton: Princeton University Press, 2003), pp. 79–93, ill.
  • Mellinkoff, Ruth. Averting Demons: The Protective Power of Medieval Visual Motifs and Themes. 2 vols. (Los Angeles: Ruth Mellinkoff Publications, 2004), vol. 1 (2004), vol. 1, pp. 61, 64, 115, 119, 127–128, 164; vol. 2, figs. I.2, I.18, V.1, V.27, VI.2.
  • Bradley, Jill. 'You shall surely not die': The Concepts of Sin and Death as Expressed in the Manuscript Art of Northwestern Europe, c. 800-1200. 2 vols.
  • Kren, Thomas. Illuminated Manuscripts of Germany and Central Europe in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2009), pp. 17–20, 32, 54–63, frontispiece, ill.
  • Nishimura, Margot McIlwain. Images in the Margins (Los Angeles: J. Paul Getty Museum; London: The British Library, 2009), pp. 5, 8–9, 11, fig. 5, ill.
  • Briggs, Sarah. "Closer to Eve: Touch and Typology in the Genesis Illumination of the Stammheim Missal." Bowdoin Journal of Art (2015), pp. 1 -21.
  • Elizabeth C. Teviotdale, Gerhard Lutz, Christina Sciacca, Nancy K. Turner, Kristen Collins: The Stammheim Missal. Ms. 64, The J. Paul Getty Museum. Commentary to the Facsimile Edition. Luzern: Quaternio Verlag Luzern 2020. ISBN 978-3-905924-68-8
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