In the article below, the topic of Só no Forévis will be discussed in detail and exhaustively. Só no Forévis is a topic that has generated great interest in different areas, and its relevance has been increasing in recent years. Throughout this article, various aspects related to Só no Forévis will be analyzed, from its origin and evolution to its implications in current society. A tour will be made of the different perspectives and approaches that have been proposed around Só no Forévis, in order to offer a comprehensive and updated vision on this topic. In addition, the challenges that Só no Forévis currently poses will be examined, and possible strategies and solutions will be offered to address them effectively.
Só no Forevis (transl. Only in the Butt) is the fifth studio album by Brazilian hard rock band Raimundos, launched in 1999. Its title makes a reference to the word forevis, used as a euphemism to buttocks, by Brazilian humorist Mussum from the Os Trapalhões troupe of comedians.
At 850 thousand copies sold, it is Raimundos' best selling album.[citation needed]
It was also the last studio album with vocalist Rodolfo Abrantes.
Track listing:
"Só no Forevis" (Only in the Ass) - 0:32
"Mato Véio" (Kill This Old Man) - 2:07
"Carrão de Dois" (Wagon for Two) - 2:01
"Fome do Cão" (Devil's Hunger) - 3:28
"Mulher de Fases" (Woman of Phases) - 3:32
"Alegria" (Joy) - 1:49
"A Mais Pedida" (The Top Requested) - 3:52
"Boca de Lata" (Metal Mouth) - 2:25
"Me Lambe" (Lick Me) - 3:16
"Pompem" (Pompoir) - 2:42
"Deixa Eu Falar" (Let Me Speak) - 4:41
"Aquela" (That One) - 3:24
"Língua Presa" (Lisp) - 1:39
"Mulher de Fases (A Linda)" (Woman of Phases (Pretty One)) - 3:58
Personnel
Raimundos
Rodolfo - vocals, percussion on "Só no Forevis", handclaps on "Pompem"
Digão - guitar (all but 1), background vocals (all except 3 and 5), "fair vocals" on "Fome do Cão", small fiddle on "A Mais Pedida", acoustic guitar on "A Mais Pedida" and "Aquela"