Raygun Gothic

In this article, we will delve into the world of Raygun Gothic, exploring its many facets and manifestations. From its origins to its relevance today, Raygun Gothic has captured the attention of people of all ages and backgrounds. Through this comprehensive analysis, we will seek to better understand what makes Raygun Gothic so fascinating and what impact it has on our society. Regardless of whether you are an expert on the subject or simply curious to learn more, this article will provide you with the information necessary to fully understand the phenomenon of Raygun Gothic. Get ready to immerse yourself in a journey of discovery and knowledge!
This article is about the visual art style. For the metal sculpture, see Raygun Gothic Rocketship.
A 1950s coffee shop sign evocative of then-nascent spaceflight on Olympic Boulevard in Los Angeles.

Raygun Gothic is a catchall term for a visual and architectural style that, when applied to retrofuturistic science fiction environments, incorporates various aspects of the Googie, Streamline Moderne, and Art Deco architectural styles. Academic Lance Olsen has characterised Raygun Gothic as "a tomorrow that never was".[1] It is inspired by Space Age, raypunk, and atompunk subcultures.

The style has also been associated with architectural indulgence, and situated in the context of the golden age of modern design due to its use of features such as "single-support beams, acute angles, brightly colored paneling", as well as "shapes and cutouts showing motion".[2]

Origin

The term was coined by William Gibson in his 1981 story "The Gernsback Continuum":[2][3]

Cohen introduced us and explained that Dialta was the prime mover behind the latest Barris-Watford project, an illustrated history of what she called "American Streamlined Modern." Cohen called it "raygun Gothic." Their working title was The Airstream Futuropolis: The Tomorrow That Never Was.

— William Gibson, "The Gernsback Continuum"

See also

Notes

  1. ^ Olsen, Lance. "'The Future of Narrative': Speculative Criticism: or Thirteen Ways of Speaking in an Imperfect Tense". ParaDoxa. 4 (11): 375. Archived from the original on 2007-11-08. Retrieved 2007-11-03.
  2. ^ a b "Raygun Gothic and Populuxe Culture: The Next American City, Today!". The Next American City. 2008-01-14. Archived from the original on 2008-02-21. Retrieved 2008-01-21.
  3. ^ "The Gernsback Continuum" in Gibson, William (1986). Burning Chrome. New York: Arbor House. ISBN 978-0-87795-780-5.

4.^ "Loki"(2021).

References

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