In this article, we are going to explore Muhammad Muqim from a unique and detailed perspective. Muhammad Muqim is an exciting topic that has captured the interest of many, and rightly so. Throughout this writing, we will analyze the impact that Muhammad Muqim has had in different areas, as well as its relevance today. By delving into its history and evolution, we will discover the factors that have contributed to its importance and the trends that have shaped its development. Additionally, we will delve into the different points of view and opinions surrounding Muhammad Muqim, providing a comprehensive view on this intriguing topic. Get ready to immerse yourself in an informative and insightful journey about Muhammad Muqim!
Syed Muhammad Muqim (Bengali: সৈয়দ মোহাম্মদ মুকিম) was an 18th-century Bengali poet,[1] author and philosopher who was active during the advent of company rule in Bengal. His puthis are notable as they are interspersed with his own philosophical thoughts on prosody, music, astrology and religions.[2]
Background
Muqim was born in the 18th century, to a Bengali Muslim family of Syeds in the neighbourhood of Noapara in Chittagong. His father, Syed Muhammad Daulat, had origins in Feni. Muqim later became a disciple of Sufi poet Ali Raza, and he was also inspired by the poetry of Muhammad Danesh.[3] After losing his father at an early age, Muqim started his career at the record office of Ali Akbar Chowdhury, a prominent zamindar of Chittagong.[4] Bichitra Sen of The Azadi asserts that there were two poets of Chittagong with the name Muhammad Muqim.[5]
Works
Faydul Muqtadi (1773)
Tajul-Bakāwali, his own Bengali rendition of the Persian romance Gul-e-Bakāwali (which also has references to colonial rule in Chittagong)
Kalakam
Mrigābôti, his own Bengali rendition of a romance about fairies