Monte Amiata Housing

In today's article, we will explore the fascinating world of Monte Amiata Housing. From its historical origin to its relevance today, through its multiple uses and applications, this article aims to provide a complete and detailed overview of Monte Amiata Housing. Over the next few lines, we will analyze its impact in different areas, as well as the trends and challenges it currently faces. With a multidisciplinary approach and a critical perspective, we will immerse ourselves in the complexity and diversity of Monte Amiata Housing, in order to offer our readers an informed and enriching perspective on this exciting topic.
Monte Amiata Housing

Monte Amiata Housing is a residential complex in the Gallaratese district of Milan, Italy, designed by architects Carlo Aymonino and Aldo Rossi in the late 1960s.[1] It is sometimes referred to as the "Red Dinosaur" in reference both to the reddish color of the buildings and the oddity of their design. The project is well known in the international architecture community,[2] and regarded as one of those that better represent Aymonino's vision of the city as a turbulent, intricate, and varied texture,[3] a paradigm that is known as "fragmentism".[4]

The complex, named after Mount Amiata, extends over an area of 120,912 m²[5] enclosed between the Via Francesco Cilea and Via Enrico Falck streets.[6]

The complex comprises five red buildings: two eight-stories slabs, a long three-stories building, another three-stories slab, and an interconnecting structure; these are grouped around a central area with a yellow, open-air theater, and two smaller triangular plazas. The complexity of the skyline is enriched by a number of passages, decks, elevators, balconies, terraces and bridges connecting the buildings with each other and providing for a great variety of pedestrian walking paths.[2]

The complex was conceived as an utopian micro-city within the city, and based on Aymonino and Rossi's vision, emphasizing the interplay between housing blocks and their urban context.[2] Aymonino and Rossi explicitly mentioned the Unité d'Habitation in Marseille as one of their main sources of inspiration, although their intent was to improve on Le Corbusier's model.[2] Rossi also took inspiration from Giorgio de Chirico's paintings when designing one of the five buildings, the smaller slab.

In the early years after its construction, the complex was abusively occupied by homeless families. In 1974 it was deserted, and was later converted into a middle-class condominium.[7]

References

  1. ^ See Castex (2008), pp. 83-85
  2. ^ a b c d See Castex (2008), p. 83
  3. ^ Carlo Aymonino: Arte, architettura e città (in Italian)
  4. ^ Carlo Aymonino
  5. ^ Complesso Monte Amiata - Milano (in Italian)
  6. ^ Location of the complex on Google maps
  7. ^ See Castex (2008), p. 85
  • J. Castex, Architecture of Italy, ABC-CLIO 2008

45°29′59″N 9°06′03″E / 45.49962°N 9.10097°E / 45.49962; 9.10097

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