In today's world, Memorial to Carlo Barberini is a topic that has become increasingly relevant. Over the years, Memorial to Carlo Barberini has generated great interest in society, sparking debates, research and different positions around this issue. It is evident that Memorial to Carlo Barberini has impacted our lives in some way, whether on a social, cultural, economic or personal level. For this reason, it is important to thoroughly analyze and understand the implications and consequences that Memorial to Carlo Barberini brings with it, as well as to be aware of the trends and advances that are developing in relation to this topic. In this article we will explore various perspectives and approaches on Memorial to Carlo Barberini, with the aim of providing a complete and enriching overview that allows the reader to delve deeper into this topic.
Memorial to Carlo Barberini | |
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Artist | Gian Lorenzo Bernini |
Year | 1630 |
Subject | Carlo Barberini |
Location | Santa Maria in Ara Coeli, Rome |
Preceded by | Busts of Cardinals Agostino and Pietro Valier |
Followed by | Statue of Carlo Barberini |
The Memorial to Carlo Barberini is a large memorial, featuring two allegorical statues and an inscription. It was designed by the Italian artist Gian Lorenzo Bernini upon the death of Carlo in 1630, and subsequently executed by Bernini and his workshop. It is in the church of Santa Maria in Aracoeli in Rome.