In today's world, Master of the Schotten Altarpiece has become a topic of great relevance and interest to a wide spectrum of society. Whether due to its impact on people's daily lives, its influence on the global economy or its role in the evolution of technology, Master of the Schotten Altarpiece is a topic that continues to generate debate and analysis in various areas. In this article, we will explore in depth the various facets and perspectives of Master of the Schotten Altarpiece, with the aim of providing a comprehensive and updated view on this topic that is so relevant today.
You can help expand this article with text translated from the corresponding article in Italian. (December 2008) Click for important translation instructions.
View a machine-translated version of the Italian article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Italian Wikipedia article at ]; see its history for attribution.
You may also add the template {{Translated|it|Maestro dell'Altare di Schotten}} to the talk page.
The Flight into Egypt, from the Schotten Altarpiece (c. 1390). Currently held by the Schottenkirche, Vienna
The Master of the Schotten Altarpiece was a German painter, active in Nuremberg during the 14th and 15th centuries. His name is derived from an altarpiece dated to about 1390, which once stood in the church of St. Mary in Schotten. The altarpiece was dismantled in 1828.
