Today, Jakob Wassermann is a topic that has great relevance in our society. For years, it has aroused the interest of specialists and people in general, due to its multiple facets and its impact in various areas. Throughout history, Jakob Wassermann has generated debate, controversy and, in turn, great advances and innovations. It is a topic that does not leave anyone indifferent and that continues to evolve over time. In this article, we will explore different aspects related to Jakob Wassermann, analyzing its importance, its implications and its influence on everyday life. In this way, we can better understand the relevance that Jakob Wassermann has in today's society.
Jakob Wassermann (10 March 1873 – 1 January 1934) was a German writer and novelist.
Life
Born in Fürth, Wassermann was the son of a shopkeeper and lost his mother at an early age. He showed literary interest early and published various pieces in small newspapers. Because his father was reluctant to support his literary ambitions, he began a short-lived apprenticeship with a businessman in Vienna after graduation.
In 1896, he released his first novel, Melusine (his surname means "water-man" in German, while a "Melusine" (or "Melusina") is a figure of European legends and folklore, a feminine spirit of fresh waters in sacred springs and rivers).
From 1898 on he was a theater critic in Vienna. In 1901, he married Julie Speyer, whom he divorced in 1915. Three years later, he married again and wedded Marta Karlweis.
After 1906, he alternated between Vienna and Altaussee in Styria.
In 1926, he was elected to the Prussian Academy of Arts. He resigned in 1933, narrowly avoiding expulsion by the Nazis. In the same year, his books were banned in Germany owing to his Jewish ancestry.
He died on 1 January 1934 at his home in Altaussee of a heart attack.[1]
Wassermann's work includes poetry, essays, novels, and short stories. His most important works are considered the novel The Maurizius Case (Der Fall Maurizius, 1928) and the autobiography, My Life as German and Jew (Mein Weg als Deutscher und Jude, 1921), in which he discussed the tense relationship between his German and Jewish identities.[2]
Works
Melusine (Novel, 1896)
Die Juden von Zirndorf (English title: The Dark Pilgrimage) (Novel, 1897)
Schläfst du, Mutter? (Novella, 1897)
Die Geschichte der jungen Renate Fuchs (Novel, 1900)
Der Moloch (Novel, 1902)
Der niegeküsste Mund (Stories, 1903)
Die Kunst der Erzählung (Essay, 1904)
Alexander von Babylon (Novel, 1905)
Donna Johanna von Castilien (Narrative, 1906)
Die Schwestern (Novellas - Donna Johanna von Castilien, Sara Malcolm, Clarissa Mirabel - 1906)
Caspar Hauser oder Die Trägheit des Herzens (Novel, 1908)
Die Gefangenen auf der Plassenburg (Narrative, 1909)
Die Masken Erwin Reiners (1910)
Der goldene Spiegel (Novella, 1911)
Geronimo de Aguilar (Story, 1911)
Faustina (Narrative, 1912)
Der Mann von vierzig Jahren (Novel, 1913)
Das Gänsemännchen (Novel, 1915)
Christian Wahnschaffe (Novel, 1919) (English translation under the title: The World's Illusion)
Die Prinzessin Girnara, Weltspiel und Legende (Play, 1919, libretto for the Wellesz opera Die Prinzessin Girnara)
"Golowin" (Novel, 1920)
Mein Weg als Deutscher und Jude (Autobiography, 1921)
Imaginäre Brücken (Studies and Essays, 1921)
Sturreganz (Narrative, 1922)
Ulrike Woytich (Novel, 1923)
Faber, oder die verlorenen Jahre (Novel, 1924)
Laudin und die Seinen (Novel, 1925)
Das Amulett (Novella, 1926)
Der Aufruhr um den Junker Ernst (Novella, 1926)
Das Gold von Caxamalca (Stories, 1928)
Columbus: Don Quixote of the Seas (Biography, 1929)
Selbstbetrachtungen (Reflections, 1931)
Novel trilogy:
Der Fall Maurizius (The Maurizius Case) (1928)
Etzel Andergast (published in the U.S. as "Dr. Kerkhoven") (1931)
John Carl Blankenagel: The writings of Jakob Wassermann. Boston, The Christopher publishing house, 1942.
Henry Miller: Reflections on The Maurizius case: a humble appraisal of a great book. Santa Barbara, Calif.: Capra Press, 1974.
Alice Cohn Hanberg: The humanism of Jakob Wassermann. Thesis-University of California. Microfilm. Los Angeles, University of California, Library Photographic Service, 1953.
Stephen H. Garrin: The concept of justice in Jakob Wassermann’s trilogy. Bern: Lang, 1979.