In today's world, Heartbreaker (Dionne Warwick album) has become a topic of great relevance and interest to a wide spectrum of society. From its impact on the economy to its influence on popular culture, Heartbreaker (Dionne Warwick album) has captured the attention of experts and fans alike. With a growing number of studies and debates addressing its importance, Heartbreaker (Dionne Warwick album) has positioned itself as a central topic in contemporary discourse. As we enter an increasingly globalized and connected world, the relevance of Heartbreaker (Dionne Warwick album) seems to increase, attracting the attention of individuals from different fields and disciplines. In this article, we will explore some of the most relevant dimensions of Heartbreaker (Dionne Warwick album) and its impact on different aspects of today's society.
"Take the Short Way Home (US)" Released: January 1983
"Yours" Released: February 1983
Heartbreaker is a studio album by American singer Dionne Warwick. It was released by Arista Records on September 28, 1982, in the United States. Her fourth album with the label, it was largely written by the Bee Gees, and produced by band member Barry Gibb along with Karl Richardson and Albhy Galuten; Gibb and Galuten also served as musicians on the album. Warwick recorded the songs on Heartbreaker during the spring of 1982.
The album sold an estimated three million copies worldwide and ranks as Warwick's highest-charting album in most international territories. It hit #1 in the Norwegian Albums Chart and reached the top five in Sweden, the United Kingdom and in the Netherlands, also entering the top 20 in Austria, Germany, and on the US Top R&B/Hip-Hop Albums. In the US, Heartbreaker was certified gold by the Recording Industry Association of America (RIAA) for sales in excess of 500,000 copies.
AllMusic editor Rob Theakston found that "while it lacks the genius and soulful grit of Dionne Warwick's earlier classic work, the album was polished and painstakingly produced perfectly for adult pop stations Starting off with a bang courtesy of the title track, Warwick and Gibb go through all of the motions This is not the most definitive album of Warwick's career, but is definitely one of the few highlights that a pop-heavy '80s afforded her."[1]