Gypsy Curse

In this article, we will address the topic of Gypsy Curse from different perspectives with the aim of delving into its importance and relevance today. Gypsy Curse is a topic that has aroused growing interest in various sectors and a detailed analysis can shed light on its many facets. Throughout the next few lines, we will explore the different aspects of Gypsy Curse, presenting different opinions and approaches that will allow the reader to fully understand the complexity and significance of this topic. Through a multidisciplinary approach, we will delve into the consequences and challenges posed by Gypsy Curse, thus offering a comprehensive vision that will contribute to the knowledge and understanding of this phenomenon.
This article is about the Spanish comedy film. For stereotypes about the Romani people, see Romani people in fiction.
Gypsy Curse
Directed byJerónimo Mihura
Written by
Starring
CinematographyAntonio L. Ballesteros
Edited byJulio Peña Heredia
Music byJuan Quintero
Production
companies
Distributed bySuevia Films
Release date
  • 13 October 1953 (1953-10-13)
Running time
75 minutes
CountrySpain
LanguageSpanish

Gypsy Curse (Spanish: Maldición gitana) is a 1953 Spanish comedy film directed by Jerónimo Mihura and starring Luis Sandrini, Elena Espejo and Julia Caba Alba.[1]

Synopsis

Alejo Franchinelli is a widowed violinist whose mother-in-law, Doña Encarna, continually threatens him by sending him telegrams every month. Upon remarrying, his new mother-in-law makes his life miserable. One day the spirit of Doña Encarna appears to him, who assures him that she has died and, although she still has a dislike for him, she now wants to help him to get him to forgive her. Alejo confirms the death of his first mother-in-law and suddenly everything starts to go well for him, until he starts getting into trouble and asks Doña Encarna not to help him any more.

Cast

References

  1. ^ de España p.166

Bibliography

  • de España, Rafael. Directory of Spanish and Portuguese film-makers and films. Greenwood Press, 1994.


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