Gunnar Skoglund
Currently, Gunnar Skoglund has become a topic of great importance and relevance in our society. Its impact covers different areas, from health and technology to culture and politics. Gunnar Skoglund has aroused great interest in public opinion and has generated debates and reflections on its implications and consequences. In this article, we will analyze in depth the different dimensions of Gunnar Skoglund and its influence on our lives. From its origins to its evolution over time, through its possible future scenarios, we will delve into this exciting world to more fully understand the importance of Gunnar Skoglund in contemporary society.
Gunnar Skoglund | |
|---|---|
 1950-1960 | |
| Born | 2 September 1889 |
| Died | 22 September 1983 |
| Occupation(s) | Director, Writer, Editor, Actor |
| Years active | 1928-1959 (film) |
Gunnar Skoglund (1899–1983) was a Swedish film director, editor and screenwriter. He also acted in several films. He worked on a number of newsreels for Svensk Filmindustri.[1]
Selected filmography
- Black Rudolf (1928)
- International Match (1932)
- Art for Art's Sake (1938)
- Woman on Board (1941)
- The Old Clock at Ronneberga (1944)
- Man's Woman (1945)
- How to Love (1947)
- The Road to Klockrike (1953)
References
- ^ Hjort & Lindqvist p.137
Bibliography
- Hjort, Mette & Lindqvist, Ursula. A Companion to Nordic Cinema. John Wiley & Sons, 2016.
External links
| International | |
|---|---|
| National | |
| Artists | |
 | This biographical article related to film in Sweden is a stub. You can help Wikipedia by expanding it. |