In this article we are going to explore and analyze Georg Knepler from different perspectives and approaches. Georg Knepler is a topic that has aroused the interest of many people over the years, and in this article we are going to delve into its importance and relevance in today's society. From its impact on popular culture to its influence in different areas of daily life, Georg Knepler has generated debate and reflection in different sectors. Through this article, we hope to offer a complete and enriching insight into Georg Knepler, providing our readers with a deeper and more meaningful understanding of this topic.
Austrian pianist
Georg Knepler (21 December 1906 – 14 January 2003) was an Austrian pianist, conductor and musicologist.
From 1933 onwards, the Jew and communist Knepler was forbidden any activity and he returned to Austria. Since he had joined the banned Communist Party of Austria in Vienna in April 1933 and distributed Communist newspapers, he was arrested in January 1934, but was able to emigrate to England the same year. There he turned more and more intensively to the teachings of Karl Marx and Friedrich Engels, adopted their world view and dialectics and developed his own research work on this basis. Parallel to his musicological and journalistic work, he was active as an opera conductor as well as musical director of the emigrant theatre "Laterndl" and secretary of the "Austrian Centre".
In 1950 Knepler founded the German Academy of Music Berlin, of which he became Rector, and which he directed until 1959. In 1964 it was given the name Hochschule für Musik "Hanns Eisler" in Berlin. His concept was aimed at the education of musicians and singers of "new type", who, in addition to their professional qualifications, should also actively participate in social life. From 1959 to 1970, he headed the Musicological Institute of the Humboldt University of Berlin, where he concentrated on the development of Marxist-oriented teaching and research in response to bourgeois musicology. In 1964 Knepler became a full member of the German Academy of Sciences at Berlin.
Knepler died on 14 January 2003 in the hospital of Köpenick at age 96, leaving behind his wife Florence Knepler (1910-2011), née Wiles.
1986 Ehrenspange zum Vaterländischen Verdienstorden in Gold
Work
Musikgeschichte des 19. Jahrhunderts.[1] Berlin 1961.
Geschichte als Weg zum Musikverständnis. Zur Theorie, Methode und Geschichte der Musikgeschichtsschreibung.[2] Leipzig 1977, 2. überarbeitete Fassung 1982.
Gedanken über Musik. Reden, Versuche, Aufsätze, Kritiken.[3] Berlin 1980.
Wolfgang Amadé Mozart, Annäherungen.[5] Berlin 1991; New edition 2005.
Mozart in seiner Zeit und in der unseren. Auszug aus dem letzten Kapitel von "Wolfgang Amadeus Mozart – Annäherungen. In Zwischenwelt. Zeitschrift für Kultur des Exils und des Widerstands. Jg. 19, Nr. 4; Vienna February 2003, ISSN1606-4321, pp. 36–38.
Renate Göllner & Gerhard Scheit: „… bestünde Lieb' und Bruderbund“ – Georg Knepler zum Gedächtnis. Ein Nachruf. In Zwischenwelt. Zeitschrift für Kultur des Exils und des Widerstands. Jg. 19, Nr. 4; Vienna February 2003, ISSN1606-4321, pp. 27–28.
Gerhard Scheit: Also Raunzen können die Engländer überhaupt nicht. From an interview with Georg Knepler on resistance, anti-Semitism and exile (conducted by G. Scheit on 2 and 3 May 1992 in Berlin-Grünau). In Zwischenwelt. Zeitschrift für Kultur des Exils und des Widerstands. Jg. 19, Nr. 4; Vienna February 2003, ISSN1606-4321, pp. 28–35.
Golan Gur: The Other Marxism: Georg Knepler and the Anthroplogy of Music. In Musicologia Austriaca. May, 2016, Article
Anne C. Shreffler: Berlin Walls: Dahlhaus, Knepler, and Ideologies of Music History. In Journal of Musicology. Autumn, 2003, Vol. 20, No. 4, pp. 498–525, Abstract (Englisch)
Gerhard Oberkofler: Über das musikwissenschaftliche Studium von Georg Knepler an der Wiener Universität. Eine archivalische Notiz zu seinem hundertsten Geburtstag. Communications of the Alfred Klahr Society, Nr. 3/2006.
Knepler, Georg. In Brockhaus-Riemann Musiklexikon. CD-Rom, Directmedia Publishing, Berlin 2004, ISBN3-89853-438-3, p. 5408.
Gerhard Oberkofler und Manfred Mugrauer: Georg Knepler. Musikwissenschaftler und marxistischer Denker aus Wien . StudienVerlag Wien / Innsbruck 2014
Georg Knepler: Vom Wunderkind zum Genie Wolfgang Amadé Mozart zum 250. Geburtstag. Grundzüge seiner musikalischen Begabung. In Streifzüge [de], 27 January 2006