In this article, we will explore the impact that Dokhtar-i-Noshirwan has had in different areas of society. Since its arrival, Dokhtar-i-Noshirwan has captured the attention of millions of people and has generated discussions around its influence in various spheres. Over the years, Dokhtar-i-Noshirwan has proven to be a relevant topic that has triggered significant changes in the way we relate, work and entertain ourselves. In this sense, it is essential to analyze how Dokhtar-i-Noshirwan has transformed our reality and what implications it has for the future. From its emergence to the present, Dokhtar-i-Noshirwan has left an indelible mark on society, which leads us to reflect on its impact and possible long-term consequences.
Dokhtar-i-Noshirwan, also Nigar, is an archaeological site in the Ḵolm valley in northern Afghanistan.[1][2] It is located 100 kilometers north of Bamiyan and has the largest non-Buddhist mural in Afghanistan.[2]
The mural represent a local ruler, possibly Hephthalite,[3][2] in an attitude similar to that of Khosrau II on one of his silver plates: seated frontally with legs spread out and his hands on a large swords standing between his knees.[2] The crown is formed by the head of a beast, framed by two wings, similar to a design known from the coins of Shahi Tegin.[2]
The artists of Dokhtar i-Noshirwan for may have come from Bamiyan or Kakrak.[3]