In this article, we are going to explore in depth the fascinating world of Didier Lockwood. This topic is of great relevance today, since its impact extends to different areas of society, from politics to popular culture. Along these lines, we will analyze the different aspects related to Didier Lockwood, examining its origins, its evolution over time and the implications it has on people's lives. Through an interdisciplinary approach, we will take a look at the multiple dimensions of Didier Lockwood, presenting data, research and opinions from experts in the field. At the end of this article, we hope to have a more complete and enriching vision of Didier Lockwood, which will allow us to better understand its importance and influence in today's world.
Didier Lockwood (11 February 1956 – 18 February 2018) was a French violinist. He played in the French rock band Magma in the 1970s, and was known for his use of electric amplification and his experimentation with different sounds on the electric violin.[1][2][3]
Career
In 1979, Lockwood released his first album as a leader, New World,[4] and recorded more than 20 albums.[5] In 1994, he moved to New York City for two years. During that time he recorded two albums, New York Rendez Vous and Storyboard.[6] Lockwood's influences include violinist Jean-Luc Ponty. He started playing electric violin after hearing Ponty on the album King Kong: Jean-Luc Ponty Plays the Music of Frank Zappa.[1] Another important influence was Frenchman Stéphane Grappelli. In 2000, Lockwood recorded a tribute album to Grappelli.[7]
Discography
In Magma
On some Magma albums, Lockwood is listed under his Kobaïan name: Stöth Malawëlëkaahm.[8]