Destination painting

The topic of Destination painting is of great relevance today and has generated a wide debate in various sectors of society. In order to analyze its impact and delve into its implications, it is essential to address aspects such as its origin, evolution and consequences at a global level. In this article, Destination painting will be addressed in a detailed and objective manner, in order to provide a broad and complete overview of this very relevant topic. Through an exhaustive analysis and review of different sources of information, the aim is to offer a critical and well-founded vision that allows the reader to fully understand the importance and complexities associated with Destination painting.
A crowd at the Mona Lisa in the Louvre in Paris

A destination painting or bucket list painting is a painting that in itself may inspire cultural tourism to a museum or other destination.[1][2][3] Often such a work would be considered a "masterpiece". A more general characterization would be destination art.[4]

Role in museums

Collections may adopt a policy to keep a destination painting permanently on location, where visitors can expect to see it, by preventing any loan to a travelling exhibition.[5] They may also compete to acquire a potential destination painting during an art auction.[1][6]

Such paintings can lead to overtourism in parts of a museum where the work is displayed, leading to challenges in exhibit design.[7][8][2][3][9][10] This overcrowding can be exacerbated by modern social media photography.[11] The tendency toward a crowded quick experience for major works has had a reaction in the more contemplative "slow art" movement.[12]

See also

References

  1. ^ a b Boucher, Brian (2012-07-26). "Dallas's Maxwell Anderson Covets Rediscovered Leonardo". ARTnews.com. Retrieved 2021-03-19.
  2. ^ a b Farago, Jason (2019-06-06). "A Noisy Half-Hour With van Gogh's Masterpiece". The New York Times. ISSN 0362-4331. Retrieved 2021-03-19.
  3. ^ a b Farago, Jason (2019-11-06). "It's Time to Take Down the Mona Lisa". The New York Times. ISSN 0362-4331. Retrieved 2021-03-19.
  4. ^ A guide from Phaidon Press which focuses more on contemporary installation art. "Destination Art: 15 Permanent Public Artworks Worth Traveling the Globe to Experience". Artspace. Retrieved 2021-03-19.
  5. ^ "Girl with a Pearl Earring Banned from Travel". Artnet News. 2014-07-21. Retrieved 2021-03-24.
  6. ^ Booth, William (2006-06-20). "The $135 Million Klimt Portrait With A Rich Background". Washington Post. ISSN 0190-8286. Retrieved 2021-03-25.
  7. ^ Lowrey, Annie (2019-06-04). "Too Many People Want to Travel". The Atlantic. Retrieved 2021-03-19.
  8. ^ Nayeri, Farah (2019-08-12). "Want to See the Mona Lisa? Get in Line". The New York Times. ISSN 0362-4331. Retrieved 2021-03-19.
  9. ^ "Uffizi, accustomed to taming crowds, looks to outbreak's end". ABC News. Retrieved 2021-03-25.
  10. ^ Buckley, Julia (2 March 2021). "Italy has a new way to combat overtourism". CNN. Retrieved 2021-03-25.
  11. ^ Reyburn, Scott (2018-04-27). "What the Mona Lisa Tells Us About Art in the Instagram Era". The New York Times. ISSN 0362-4331. Retrieved 2021-03-19.
  12. ^ Rosenbloom, Stephanie (2014-10-09). "The Art of Slowing Down in a Museum". The New York Times. ISSN 0362-4331. Retrieved 2021-03-20.
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