Today, David Crank is a topic that arouses great interest and debate in society. Since its emergence, David Crank has captured the attention of experts and the general public, generating discussions and controversies around its importance and impact in different areas. Whether due to its historical relevance, its impact on daily life or its involvement in current issues, David Crank has become a topic of unavoidable interest for those seeking to understand the complexity of the contemporary world. In this article, we will explore various aspects related to David Crank, analyzing its influence and providing different perspectives that invite reflection and critical analysis.
Crank grew up in Richmond, Virginia[2] and graduated from William and Mary with a degree in studio art in 1982.[3] He also received a Theatre Design MFA degree from Carnegie-Mellon.[2]
Professional life
Crank first began as a set designer in Richmond's local theaters and then started working in film as a set painter around 1990.[4] He was the Art Director on three of Terrence Malick's films, including The New World (2005) and The Tree of Life (2011). Crank was on the production team that won the 2012 Satellite Award for Best Art Direction and Production Design for Lincoln (and was also nominated that same year for The Master).[5] Crank's production design work on Knives Out was integral to the film's world, including the fact that he turned different locations into the film's main setting, the mansion of mystery author Harlan Thrombey.[6][7]
In 2011, William & Mary’s Muscarelle Museum of Art presented Crank with The Cheek Medal, a national award for outstanding presentation of the arts.[8] In addition to his Oscar and BAFTA Film Award nods, Crank was nominated for an Art Directors Guild Award for Excellence in Production Design for his work on the News of the World (film).