Clara Lobedan

In today's world, Clara Lobedan has become a topic of great importance and interest for people of all ages and backgrounds. From its impact on society to its implications on everyday life, Clara Lobedan influences numerous aspects of our lives. Over the years, Clara Lobedan has been explored and debated from multiple perspectives, generating a wide spectrum of opinions and theories around the topic. In this article, we will thoroughly explore the importance of Clara Lobedan and its unavoidable relevance in the contemporary world, offering a detailed and objective vision of its many facets.
Clara Lobedan
Born(1840-08-08)8 August 1840
Naumburg, Kingdom of Prussia
Died1918 (aged 77–78)
Berlin, Germany
NationalityGerman
Known forPainting, ceramics

Clara Augusta Amalie Emma Lobedan (1840–1918) was a German painter, watercolorist, pastelist, ceramicist, and craftsman.[1]

Biography

Lobedan was born on 8 August 1840 in Naumburg, Germany.[2]

She studied painting under Theude Grønland and Karl Gussow in Berlin. Lobedan exhibited her work at the Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois. She is thought to have established an art school for women in Berlin.[3] She is known to have taught Hildegard Lehnert.[4]

Lobedan died in 1918 in Berlin.[5]

Stilleben mit Weintrauben by Clara Lobedan, nd

References

  1. ^ "Clara Lobedan". RKD. Retrieved 24 November 2018.
  2. ^ "Clara Augusta Amalie Emma Lobedan". Kunst im Burgenlandkreis (in German). Retrieved 24 November 2018.
  3. ^ Nichols, K. L. "Clara Lobedan, Women's Art at the World's Columbian Fair & Exposition, Chicago 1893". Retrieved 24 November 2018.
  4. ^ Nichols, K. L. "Hildegard Lehnert, Women's Art at the World's Columbian Fair & Exposition, Chicago 1893". Retrieved 24 November 2018.
  5. ^ "Lobedan, Clara". Benezit Dictionary of Artists. Oxford University Press. 31 October 2011. doi:10.1093/benz/9780199773787.article.b00110829. Retrieved 24 November 2018.
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