In this article we are going to talk about Big Jay McNeely, a topic that has been present throughout history and that continues to be relevant in today's society. Big Jay McNeely has aroused great interest and debate, both in academia and in public opinion, due to its impact on different aspects of daily life. Over time, Big Jay McNeely has been the subject of studies, research and reflections that have contributed to expanding our understanding of this topic. In this sense, we will address different perspectives and approaches to better understand the importance and meaning of Big Jay McNeely today.
Big Jay McNeely performed for the famed fifth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles produced by Leon Hefflin, Sr. on July 10, 1949. It was at this concert that McNeely and Lionel Hampton got into a showdown that resulted in pillows being thrown along with other items.[5] His recording of "Blow Big Jay Blow" catapulted him into National prominence. McNeely and his Orchestra would come back to Los Angeles, to perform at the eleventh Cavalcade of Jazz on July 24, 1955 along with Lionel Hampton's Orchestra. The Medallions, The Penguins and James Moody would also be featured that same day.[6]
Thanks to his flamboyant playing, called "honking," McNeely remained popular through the 1950s and into the early 1960s, recording for the Exclusive, Aladdin, Imperial, Federal, Vee-Jay, and Swingin' labels.[3] But despite a hit R&B ballad, "There's Something on Your Mind," (1959) featuring Little Sonny Warner on vocals, and a 1963 album for Warner Bros. Records, McNeely's music career began to cool off. He quit the music industry in 1971 to become a postman.[3] However, thanks to an R&B revival in the early 1980s, McNeely left the post office and returned to touring and recording full-time, usually overseas.[3] His original tenor sax is enshrined in the Experience Music Project in Seattle, and he was inducted into the Rhythm and Blues Music Hall of Fame.[7]
Big Jay McNeely regularly performed at the International Boogie Woogie Festival in The Netherlands, and recorded an album with Martijn Schok, the festival's promoter, in 2009. The album was entitled Party Time, and one track from the album, "Get On Up and Boogie" (Parts 1, 2, and 3)", was featured on the vintage music compilation This is Vintage Now (2011).[16]