In today's article, we are going to explore
Abstract Imagists and its impact on our lives.
Abstract Imagists is a very relevant topic today, which has generated numerous debates and research in different areas. Since its emergence,
Abstract Imagists has captured the attention of a wide spectrum of people, as its implications extend to various aspects of our daily lives. Throughout this article, we will analyze in detail what
Abstract Imagists is, what makes it so relevant and what are the possible repercussions it has on our environment. Additionally, we will examine different perspectives on
Abstract Imagists, with the aim of offering a comprehensive and balanced view on this fascinating topic.
Abstract Imagists is a term derived from a 1961 exhibition in the Guggenheim Museum, New York called American Abstract Expressionists and Imagists. This exhibition was the first in the series of programs for the investigation of tendencies in American and European painting and sculpture.[1]
Style
It had been recognized that the paintings of Josef Albers, Barnett Newman, Mark Rothko, Adolph Gottlieb, Ad Reinhardt, Clyfford Still and Robert Motherwell were all very different yet the symbolic content was achieved "through dramatic statement of isolated and highly simplified elements."[2]
In many cases the dramatic simplification was achieved by the use of:
In some cases there was a "loss of the feeling and immediacy" in the work.
List of Abstract Imagists
Sources:[3]
Some other Abstract Imagists
See also
Related styles, trends, schools or movements
References
Sources
- Virgil Baker, From realism to reality in recent American painting. (Lincoln : University of Nebraska Press, 1959.)
- Bernard H. Friedman, School of New York: some younger artists. (New York, Grove Press )
- Sam Hunter, Modern American Painting and Sculpture. ()
- Harold Rosenberg, The Tradition of the New. (New York, Horizon Press, 1959)
- György Kepes, The Visual Arts Today. (Middletown, Conn., Wesleyan University Press )