5uper.net

In this article we are going to address the topic of 5uper.net, which has gained relevance in recent years due to its impact in different areas. 5uper.net has been the subject of debate and analysis by experts in the area, who have highlighted the importance of understanding and reflecting on its implications. Throughout this article, we will examine different perspectives and research related to 5uper.net, with the goal of providing a comprehensive and up-to-date view on this topic. Likewise, we will explore its influence on society, the economy, politics and other relevant aspects, in order to understand its scope and impact in the current context.
5uper.net
Established2003 (2003)
Dissolved2016 (2016)
TypeArtist collective
FocusNetwork cultures
HeadquartersMuseumsquartier
Location
Website5uper.net

5uper.net was an international artist group and "incorporated society to research, promote and reflect on the intersections of media, arts, technology and society"[1] which has been integrated into the organisation "Artistic Bokeh" in 2010 (which later was renamed the Research Institute for Arts and Technology).[2] The group has worked with many internationally recognized artists, such as Peter Weibel,[3] Ubermorgen[4] as well as with relevant international institutions in arts and research, such as the Transmediale, the ISEA International, the Ludwig Boltzmann Institute,[5] and the University of Applied Arts Vienna.[6]

The group which had been operating out of the MuseumsQuartier in Vienna, Austria had focused on art-based research at the intersection of media, arts, technology, and society.[7] The group was established in 2003 by Markus Hafner, Ile Cvetkoski, Matthias Tarasiewicz, Karina Lackner, and Michal Wlodkowski[8] and was responsible for developing the Coded Cultures festival series[9][10][11][12][13] as well as diverse projects and exhibitions on the intersection of arts and technology.[14]

References

  1. ^ "5uper.net - About (Waybackmachine)". 5uper.net. Archived from the original on 2016-05-01. Retrieved 17 July 2022.
  2. ^ "RIAT - history". RIAT Institute. 28 October 2018. Retrieved 17 July 2022.
  3. ^ "Coded Cultures festival 2004". Archived from the original on 2005-12-15. Retrieved 17 July 2022.
  4. ^ "vote-auction.net". ote-auction - Bringing democracy and capitalism closer together. Retrieved 17 July 2022.
  5. ^ "Cooperation partners LBI-MKF" (PDF). Ludwig Boltzmann Institute Media.Art.Research. Retrieved 17 July 2022.
  6. ^ "dieangewandte". University of applied arts.
  7. ^ "About". 5uper.net. Archived from the original on February 9, 2015. Retrieved 13 April 2017.
  8. ^ "WHOisWHO". 5uper.net. Archived from the original on 3 February 2006. Retrieved 18 April 2017.
  9. ^ Russegger, Georg; Tarasiewicz, Matthias; Wlodkowski, Michal (2011), Coded Cultures - New Creative Practices out of Diversity (Edition Angewandte ed.), Vienna: De Gruyter, p. 384, ISBN 978-3990433904, retrieved 17 July 2022
  10. ^ Tarasiewicz, Matthias (2011), "Coded Cultures Between New Media Arts and Production Cultures", in Russegger, Georg; Tarasiewicz, Matthias; Wlodkowski, Michal (eds.), Coded Cultures - New Creative Practices out of Diversity, Vienna: Springer Vienna, pp. 200–217, doi:10.1007/978-3-7091-0458-3_8, ISBN 978-3-7091-0457-6, retrieved 17 July 2022
  11. ^ "Coded Cultures Between New Media Arts and Production Cultures". Die Angewandte. University of applied arts Vienna. Retrieved 17 July 2022.
  12. ^ "Save the Date: Festival CODED CULTURES". OTS.at (in German). Retrieved 2019-11-17.
  13. ^ Reiter, Teresa (7 September 2011). "Bestandsaufnahmen der Medienkunst". The Gap. Retrieved 18 April 2017.
  14. ^ "Suche nach "5uper.net"". OTS.at (in German). Retrieved 2019-11-17.


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