This article will address the issue of Columbia (personification), which represents a very important issue today. From its origins to its relevance today, Columbia (personification) has been the subject of debate and analysis in various areas. Throughout history, Columbia (personification) has played a crucial role in society, directly or indirectly affecting the lives of millions of people around the world. In this sense, it is essential to understand in depth its impact and relevance, as well as the implications it entails for the present and the future. Through an exhaustive analysis, we seek to shed light on the different aspects related to Columbia (personification), providing the reader with a comprehensive and detailed vision of this very relevant topic.
Female national personification of the United States
The earliest type of personification of the Americas, seen in European art from the 16th century onwards, reflected the tropical regions in South and Central America from which the earliest European travelers reported back. Such images were most often used in sets of female personifications of the four continents. America was depicted as a woman who, like Africa, was only partly dressed, typically in bright feathers, which invariably formed her headdress. She often held a parrot, was seated on a caiman or alligator, with a cornucopia. Sometimes a severed head was a further attribute, or in prints scenes of cannibalism appeared in the background.[2][3]
18th century
Though versions of this depiction, tending as time went on to soften the rather savage image into an "Indian princess" type, and in churches emphasizing conversion to Christianity, served European artists well enough, by the 18th century they were becoming rejected by settlers in North America, who wanted figures representing themselves rather than the Native Americans they were often in conflict with.[4]
Massachusetts Chief Justice Samuel Sewall used the name "Columbina" for the New World in 1697.[5] The name "Columbia" for America first appeared in 1738[6][7] in the weekly publication of the debates of Parliament in Edward Cave's The Gentleman's Magazine. Publication of parliamentary debates was technically illegal, so the debates were issued under the thin disguise of Reports of the Debates of the Senate of Lilliput and fictitious names were used for most individuals and place names found in the record. Most of these were transparent anagrams or similar distortions of the real names and some few were taken directly from Jonathan Swift's Gulliver's Travels while a few others were classical or neoclassical in style. Such were Ierne for Ireland, Iberia for Spain, Noveborac for New York (from Eboracum, the Roman name for York) and Columbia for America—at the time used in the sense of "European colonies in the New World".[8]
By the time of the Revolution, the name Columbia had lost the comic overtone of its Lilliputian origins and had become established as an alternative, or poetic, name for America. While the name America is necessarily scanned with four syllables, according to 18th-century rules of English versification Columbia was normally scanned with three, which is often more metrically convenient. For instance, the name appears in a collection of complimentary poems written by Harvard graduates in 1761 on the occasion of the marriage and coronation of King George III.[11]
The name Columbia rapidly came to be applied to a variety of items reflecting American identity. A ship built in Massachusetts in 1773 received the name Columbia Rediviva and it later became famous as an exploring ship and lent its name to new Columbias.
After independence
No serious consideration was given to using the name Columbia as an official name for the independent United States, but with independence, the name became popular and was given to many counties, townships, and towns as well as other institutions.
In 1784, the former King's College in New York City had its name changed to Columbia College, which became the nucleus of the present-day Ivy League Columbia University.
In 1786, the name Columbia was given to the new capital city of South Carolina. Columbia is also the name of at least 19 other towns in the United States.
Tammany Hall, also known as the Society of St. Tammany, the Sons of St. Tammany, or the Columbian Order, was a political organization founded in 1786 and incorporated on May 12, 1789 as the Tammany Society.
In 1791, three commissioners appointed by President George Washington named the area destined for the seat of the United States government the territory of Columbia. In 1801, it was organized as the District of Columbia.
Those on the Union side drew Columbia and the flag on envelopes to show their allegiance to the Union.
"Columbia, the Gem of the Ocean" became popular during the Civil War. The song has lyrics praising the Union in the third verse. (Today, this part is usually not sung.) [14]
The Union, the Union forever,
Our glorious nation's sweet hymn,
May the wreaths it has won never wither,
Nor the stars of its glory grow dim,
May the service united ne'er sever,
But they to their colors prove true.
The Army and Navy forever,
When borne by the red, white, and blue.
𝄆 When borne by the red, white, and blue. 𝄇
The Army and Navy for ever,
Three cheers for the red, white and blue.[15]
Her statue is used on many of the Civil War monuments. Some of them are listed in this page.
Early 20th century
In the early 20th century, women dressed up as Columbia in parades to appeal for women's suffrage.
Early in World War I (1914–1918), the image of Columbia standing over a kneeling "doughboy" was issued in lieu of the Purple Heart medal. She gave "to her son the accolade of the new chivalry of humanity" for injuries sustained in the World War.
In World War I, the name Liberty Bond for savings bonds was heavily publicized, often with images from the Statue of Liberty (Liberty Enlightening the World). The personification of Columbia fell out of use and was largely replaced by the Statue of Liberty as a feminine symbol of the United States.[16]
After Columbia Pictures adopted Columbia as its logo in 1924, she has since appeared as bearing a torch similar to that of the Statue of Liberty, unlike 19th-century depictions of Columbia. The Columbia Pictures logo is the most famous and prominent display of Columbia to many current Americans.[17]
21st century
In 2023, on the commemorative medal issued by the U.S.Mint, Columbia does not wear a Phrygian cap and does not carry a weapon or shield as in the World War I poster. Instead, Columbia is holding an American flag and shaking hands with an American Indian. Between them sits a bust of Washington and the inscription "PEACE." Around them are elements symbolic of American life, both native and industrial. This medal is a reproduction of one issued in the 19th century.[18]
On a commemorative coin issued in 2024 depicting Liberty, the designers studied not only the liberty but also the portrayal of Columbia to depict liberty. The race of Liberty depicted on this coin is ambiguous.[19]
Like other national symbols such as Marianne, Britannia, and Liberty, Columbia's appearance and depiction has changed over time as a national symbol.[20]
Columbian should not be confused with the adjective pre-Columbian, which refers to a time period before the arrival of Christopher Columbus in 1492.
Personification
As a quasi-mythical figure, Columbia first appears in the poetry of the African-American Phillis Wheatley in October 1775, during the Revolutionary War:[21][22]
One century scarce perform'd its destined round,
When Gallic powers Columbia's fury found;
And so may you, whoever dares disgrace
The land of freedom's heaven-defended race!
Fix'd are the eyes of nations on the scales,
For in their hopes Columbia's arm prevails.[23]
Appearance
Especially in the 19th century, Columbia was visualized as a goddess-like female national personification of the United States and of liberty itself, comparable to the British Britannia, the Italian Italia Turrita and the French Marianne, often seen in political cartoons of the 19th and early 20th century. The personification was sometimes called Lady Columbia or Miss Columbia. Such an iconography usually personified America in the form of an Indian queen or Native American princess.[25]
The image of the personified Columbia was never fixed, but she was most often presented as a woman between youth and middle age, wearing classically draped garments decorated with stars and stripes. A popular version gave her a red-and-white-striped dress and a blue blouse, shawl, or sash, spangled with white stars. Her headdress varied and sometimes it included feathers reminiscent of a Native American headdress while other times it was a laurel wreath, but most often, it was a cap of liberty.
Sculptures and Statues of Columbia
Statues of the personified Columbia may be found among others in the following places:
Above the Statue of Francis Scott Key in San Francisco, California. The Statue of Francis Scott Key was removed, but the Statue of Columbia remains in place.
The naming of the New World and of the newly independent country of Colombia after Christopher Columbus in the early 19th century is discussed at Colombia § Etymology.
The element niobium was first called columbium, a name which some people still use today. The name columbium, coined by the chemist Charles Hatchett upon his discovery of the metal in 1801,[47] reflected that the type specimen of the ore came from America.[48]
Columbia Records, founded in 1888, took its name from its headquarters in the District of Columbia.
Columbia Pictures, named in 1924, uses a version of the personified Columbia as its logo after a great deal of experimentation.[49]
CBS's former legal name was the Columbia Broadcasting System, first used in 1928. The name derived from an investor, the Columbia Phonograph Manufacturing Company, which owned Columbia Records.
A personified Columbia appears in Uncle Sam, a graphic novel about American history (1997).
The setting of the steampunk video game BioShock Infinite is the alternate reality city of Columbia, which makes frequent use of Columbia's image. Columbia herself is believed to be an archangel by the citizens.
A defiant Columbia in an 1871 Thomas Nast cartoon shown protecting a defenseless Chinese man from an angry Irish lynch mob that has just burned down an orphanage
Columbia in an 1865 Thomas Nast cartoon asking the government to allow black soldiers to vote
Columbia (representing the American people) reaches out to oppressed Cuba with blindfolded Uncle Sam in background (Judge, February 6, 1897; cartoon by Grant E. Hamilton).
^Donald Dewey (2007). The Art of Ill Will: The Story of American Political Cartoons. New York University Press. p. 13. ISBN9780814719855. Retrieved February 1, 2020. (Minus the torch and the book, Columbia herself had been called 'Liberty' long before F. S. Bartholdi's sculpture was dedicated in New York harbor in 1886.)
^Higham, John (1990). "Indian Princess and Roman Goddess: The First Female Symbols of America"(PDF). Proceedings of the American Antiquarian Society. 100: 48. Retrieved July 3, 2022. America alone was a savage. An early predilection for exhibiting her as a naked cannibal, toying with a severed head or a half-roasted human arm, gave way in the seventeenth century to less threatening but still muscular images. She became, for example, a barbaric queen, borne aloft in a giant conch shell, scattering baubles from her cornucopia to the European adventurers crowding below .
^"Columbia, (sculpture)". Art Inventories Catalog Smithsonian American Art Museum Smithsonian Institution Research Information System (SIRIS). Retrieved July 27, 2024.
^Bernard F. Dick. The Merchant Prince of Poverty Row: Harry Cohn of Columbia Pictures. University Press of Kentucky. pp. 40–42.
Sources
Higham, John (1990). "Indian Princess and Roman Goddess: The First Female Symbols of America", Proceedings of the American Antiquarian Society. 100: 50–51, JSTOR or PDF
Le Corbeiller, Clare (1961), "Miss America and Her Sisters: Personifications of the Four Parts of the World", The Metropolitan Museum of Art Bulletin, vol. 19, pp. 210–223, PDFArchived 2019-08-05 at the Wayback Machine
George R. Stewart (1967). Names on the Land. Houghton Mifflin Company: Boston.