Columbia (personification)

This article will address the issue of Columbia (personification), which represents a very important issue today. From its origins to its relevance today, Columbia (personification) has been the subject of debate and analysis in various areas. Throughout history, Columbia (personification) has played a crucial role in society, directly or indirectly affecting the lives of millions of people around the world. In this sense, it is essential to understand in depth its impact and relevance, as well as the implications it entails for the present and the future. Through an exhaustive analysis, we seek to shed light on the different aspects related to Columbia (personification), providing the reader with a comprehensive and detailed vision of this very relevant topic.

Paul Stahr's personified Columbia in an American flag gown and Phrygian cap, from a World War I patriotic poster (c. 1917)

Columbia (/kəˈlʌmbiə/; kə-LUM-bee-ə), also known as Lady Columbia, Miss Columbia is a female national personification of the United States. It was also a historical name applied to the Americas and to the New World. The association has given rise to the names of many American places, objects, institutions and companies, including the District of Columbia; Columbia, South Carolina; Columbia University; "Hail, Columbia"; Columbia Rediviva; and the Columbia River. Images of the Statue of Liberty (Liberty Enlightening the World, erected in 1886) largely displaced personified Columbia as the female symbol of the United States by around 1920, and Lady Liberty was seen as both an aspect of Columbia[1] and a rendition of the Goddess of Liberty. She is the central element of the logo of Hollywood film studio Columbia Pictures.

Columbia is a Neo-Latin toponym, used since the 1730s to refer to the Thirteen Colonies that would form the United States. It originated from the name of the Genoese explorer Christopher Columbus and from the Latin ending -ia, common in the Latin names of countries (paralleling Britannia, Gallia, Zealandia, and others).

History

Early

Personification of the Americas in Meissen porcelain, c. 1760, from a set of the Four Continents

The earliest type of personification of the Americas, seen in European art from the 16th century onwards, reflected the tropical regions in South and Central America from which the earliest European travelers reported back. Such images were most often used in sets of female personifications of the four continents. America was depicted as a woman who, like Africa, was only partly dressed, typically in bright feathers, which invariably formed her headdress. She often held a parrot, was seated on a caiman or alligator, with a cornucopia. Sometimes a severed head was a further attribute, or in prints scenes of cannibalism appeared in the background.[2][3]

18th century

Though versions of this depiction, tending as time went on to soften the rather savage image into an "Indian princess" type, and in churches emphasizing conversion to Christianity, served European artists well enough, by the 18th century they were becoming rejected by settlers in North America, who wanted figures representing themselves rather than the Native Americans they were often in conflict with.[4]

Massachusetts Chief Justice Samuel Sewall used the name "Columbina" for the New World in 1697.[5] The name "Columbia" for America first appeared in 1738[6][7] in the weekly publication of the debates of Parliament in Edward Cave's The Gentleman's Magazine. Publication of parliamentary debates was technically illegal, so the debates were issued under the thin disguise of Reports of the Debates of the Senate of Lilliput and fictitious names were used for most individuals and place names found in the record. Most of these were transparent anagrams or similar distortions of the real names and some few were taken directly from Jonathan Swift's Gulliver's Travels while a few others were classical or neoclassical in style. Such were Ierne for Ireland, Iberia for Spain, Noveborac for New York (from Eboracum, the Roman name for York) and Columbia for America—at the time used in the sense of "European colonies in the New World".[8]

Columbia and an early rendition of Uncle Sam in an 1869 Thomas Nast cartoon having Thanksgiving dinner with a diverse group of immigrants[9][10]

By the time of the Revolution, the name Columbia had lost the comic overtone of its Lilliputian origins and had become established as an alternative, or poetic, name for America. While the name America is necessarily scanned with four syllables, according to 18th-century rules of English versification Columbia was normally scanned with three, which is often more metrically convenient. For instance, the name appears in a collection of complimentary poems written by Harvard graduates in 1761 on the occasion of the marriage and coronation of King George III.[11]

Behold, Britannia! in thy favour'd Isle;
At distance, thou, Columbia! view thy Prince,
For ancestors renowned, for virtues more;[12]

The name Columbia rapidly came to be applied to a variety of items reflecting American identity. A ship built in Massachusetts in 1773 received the name Columbia Rediviva and it later became famous as an exploring ship and lent its name to new Columbias.

After independence

John Gast's 1872 painting American Progress depicts Columbia as the Spirit of the Frontier, carrying telegraph lines across the Western frontier to fulfill manifest destiny.
After the United States gained independence from Britain in the American Revolutionary War, the new capital city of South Carolina was Columbia.

No serious consideration was given to using the name Columbia as an official name for the independent United States, but with independence, the name became popular and was given to many counties, townships, and towns as well as other institutions.

In part, the more frequent usage of the name "Columbia" reflected a rising American neoclassicism, exemplified in the tendency to use Roman terms and symbols.[citation needed] The selection of the eagle as the national bird, the heraldric use of the eagle, the use of the term Senate to describe the upper house of Congress and the naming of Capitol Hill and the Capitol building were all conscious evocations of Roman precedents.

During Civil War

During the Civil War, the Union faced a coin shortage and issued Fractional currency depicting busts of George Washington and others, as well as allegorical figures such as Columbia and Liberty. The Confederacy also issued currency depicting allegorical figures such as Columbia and Liberty. However, Columbia depicted on these is very similar to the Progress of Civilization Pediment on the United States Capitol building.

Confederate $100 from 1861, train pulling into a station at center. Columbia at left.
Confederate $100, slaves working a cotton field at center. John C. Calhoun at left, and Columbia at right.[13]

Those on the Union side drew Columbia and the flag on envelopes to show their allegiance to the Union.

Civil War envelope showing Columbia with sword floating above marching soldiers.
Civil War envelope showing Columbia with flag, Massachusetts state seal, and Phrygian cap bearing message "Loyal to the Union"

"Columbia, the Gem of the Ocean" became popular during the Civil War. The song has lyrics praising the Union in the third verse. (Today, this part is usually not sung.) [14]

The Union, the Union forever,
Our glorious nation's sweet hymn,
May the wreaths it has won never wither,
Nor the stars of its glory grow dim,
May the service united ne'er sever,
But they to their colors prove true.
The Army and Navy forever,
When borne by the red, white, and blue.
𝄆 When borne by the red, white, and blue. 𝄇
The Army and Navy for ever,
Three cheers for the red, white and blue.[15]

Her statue is used on many of the Civil War monuments. Some of them are listed in this page.

Early 20th century

In the early 20th century, women dressed up as Columbia in parades to appeal for women's suffrage.

German actress Hedwiga Reicher, dressed as Columbia, stands in front of the Treasury Building with other participants of the suffrage pageant in the background.

Early in World War I (1914–1918), the image of Columbia standing over a kneeling "doughboy" was issued in lieu of the Purple Heart medal. She gave "to her son the accolade of the new chivalry of humanity" for injuries sustained in the World War.

In World War I, the name Liberty Bond for savings bonds was heavily publicized, often with images from the Statue of Liberty (Liberty Enlightening the World). The personification of Columbia fell out of use and was largely replaced by the Statue of Liberty as a feminine symbol of the United States.[16]

After Columbia Pictures adopted Columbia as its logo in 1924, she has since appeared as bearing a torch similar to that of the Statue of Liberty, unlike 19th-century depictions of Columbia. The Columbia Pictures logo is the most famous and prominent display of Columbia to many current Americans.[17]

21st century

In 2023, on the commemorative medal issued by the U.S.Mint, Columbia does not wear a Phrygian cap and does not carry a weapon or shield as in the World War I poster. Instead, Columbia is holding an American flag and shaking hands with an American Indian. Between them sits a bust of Washington and the inscription "PEACE." Around them are elements symbolic of American life, both native and industrial. This medal is a reproduction of one issued in the 19th century.[18] On a commemorative coin issued in 2024 depicting Liberty, the designers studied not only the liberty but also the portrayal of Columbia to depict liberty. The race of Liberty depicted on this coin is ambiguous.[19] Like other national symbols such as Marianne, Britannia, and Liberty, Columbia's appearance and depiction has changed over time as a national symbol.[20]

Columbian

The adjective Columbian has been used to mean "of or from the United States of America" such as in the 1893 World's Columbian Exposition held in Chicago, Illinois. It has occasionally been proposed as an alternative word for American.

Columbian should not be confused with the adjective pre-Columbian, which refers to a time period before the arrival of Christopher Columbus in 1492.

Personification

The April 6, 1901 cover of Puck depicts Columbia wearing a warship bearing the words "world power" as her Easter bonnet.

As a quasi-mythical figure, Columbia first appears in the poetry of the African-American Phillis Wheatley in October 1775, during the Revolutionary War:[21][22]

One century scarce perform'd its destined round,
When Gallic powers Columbia's fury found;
And so may you, whoever dares disgrace
The land of freedom's heaven-defended race!
Fix'd are the eyes of nations on the scales,
For in their hopes Columbia's arm prevails.[23]

Immune Columbia (interpreted as America free from tribute) was produced at George Wyon's private mint, Birmingham, England in 1785. Seated figure of Columbia with scales of justice and a Liberty cap[24]

Appearance

Especially in the 19th century, Columbia was visualized as a goddess-like female national personification of the United States and of liberty itself, comparable to the British Britannia, the Italian Italia Turrita and the French Marianne, often seen in political cartoons of the 19th and early 20th century. The personification was sometimes called Lady Columbia or Miss Columbia. Such an iconography usually personified America in the form of an Indian queen or Native American princess.[25] The image of the personified Columbia was never fixed, but she was most often presented as a woman between youth and middle age, wearing classically draped garments decorated with stars and stripes. A popular version gave her a red-and-white-striped dress and a blue blouse, shawl, or sash, spangled with white stars. Her headdress varied and sometimes it included feathers reminiscent of a Native American headdress while other times it was a laurel wreath, but most often, it was a cap of liberty.

20 Dollar National Bank Notes.The Battle of Lexington at left. Columbia carrying a flag and leading a procession at right. And above her is written " LOYALTY ". These notes were issued between 1863 and 1935.[26]
The Bust of Columbia depicted on a 15-cent bank note. These notes were in use between 21 August 1862 and 15 February 1876[27]
2 1/2 dollar coin,issued in 1915 to commemorate the Panama-Pacific International Exposition. Columbia is seated on a hippocampus, or mythological sea horse, and holding a caduceus[28]
1/2 dollar coin,issued in 1915 to commemorate the Panama-Pacific International Exposition. Columbia is standing, sunset in background. This was the first commemorative coin to carry the motto In God We Trust.[29]

Sculptures and Statues of Columbia

Statues of the personified Columbia may be found among others in the following places:

Civil War Monuments

The Call to Arms in Troy, New York

WWI Monuments

WWII Monuments

Outside the United States

Modern appearances

Since 1800, the name Columbia has been used for a wide variety of items and places:

Badge of the USS Columbia (SSN-771), A woman holding a trident and cities named Colombia are depicted.
Banner commemorating the SS Columbia at American Waterfront, Tokyo DisneySea, Japan. Columbia is depicted at left.

See also

References

  1. ^ Donald Dewey (2007). The Art of Ill Will: The Story of American Political Cartoons. New York University Press. p. 13. ISBN 9780814719855. Retrieved February 1, 2020. (Minus the torch and the book, Columbia herself had been called 'Liberty' long before F. S. Bartholdi's sculpture was dedicated in New York harbor in 1886.)
  2. ^ Le Corbellier, 210–218
  3. ^ Higham, John (1990). "Indian Princess and Roman Goddess: The First Female Symbols of America" (PDF). Proceedings of the American Antiquarian Society. 100: 48. Retrieved July 3, 2022. America alone was a savage. An early predilection for exhibiting her as a naked cannibal, toying with a severed head or a half-roasted human arm, gave way in the seventeenth century to less threatening but still muscular images. She became, for example, a barbaric queen, borne aloft in a giant conch shell, scattering baubles from her cornucopia to the European adventurers crowding below .
  4. ^ Higham, 55–57
  5. ^ Thomas J. Schlereth, "Columbia, Columbus, and Columbianism" in The Journal of American History, v. 79, no. 3 (1992), 939
  6. ^ The Gentleman's Magazine, Vol. 8, June 1738, p. 285
  7. ^ Massachusetts Historical Society (December 1885). Proceedings of the Massachusetts Historical Society. University of Michigan. Boston : The Society. p. 159.
  8. ^ Johnson, Samuel (1787). Debates in Parliament: Nov. 19, 1740-April 16, 1741. J. Stockdale.
  9. ^ Kennedy, Robert C. (November 2001). "Uncle Sam's Thanksgiving Dinner, Artist: Thomas Nast". On This Day: HarpWeek. The New York Times Company. Archived from the original on November 23, 2001. Retrieved November 23, 2001.
  10. ^ Walfred, Michele (July 2014). "Uncle Sam's Thanksgiving Dinner: Two Coasts, Two Perspectives". Thomas Nast Cartoons. Archived from the original on March 5, 2016. Retrieved March 5, 2016.
  11. ^ The New England Historical and Genealogical Register. New England Historic Genealogical Society. 1886. pp. 310–313. {{cite book}}: |work= ignored (help)
  12. ^ Pietas et Gratulatio Collegii Cantabrigiensis apud Novanglos, no. xxix. Boston, Green and Russell, 1761.
  13. ^ "Object of Intrigue: Confederate Currency". Atlas Obscura. Ella Morton. March 2016. Retrieved July 21, 2024.
  14. ^ "Columbia the Gem of the Ocean". Liberty of Congress. Retrieved July 22, 2024.
  15. ^ Deutsch-Englisches Liederbuch: für dt. Schulen in d. Vereinigten Staaten von America. Steiger. 1864. pp. 110–111. Retrieved July 10, 2024.
  16. ^ David E. Nye (1996). American Technological Sublime. MIT Press. p. 266. ISBN 9780262640343.
  17. ^ Shane, Cari. "Before Lady Liberty, There Was Lady Columbia, America's First National Mascot". Sumithsonian magazine. Retrieved June 23, 2024.
  18. ^ "Presidential Silver Medal Honoring Andrew Johnson Available August 14". United States Mint. Retrieved July 25, 2024.
  19. ^ "Britannia and Liberty: Behind the Design". The Royal Mint. Retrieved July 5, 2024.
  20. ^ "The UK's Royal Mint makes history with a new coin featuring Britannia as a woman of color". CNN Style. March 19, 2021. Retrieved July 29, 2024.
  21. ^ Steele, Thomas J. (1981). "The Figure of Columbia: Phillis Wheatley plus George Washington". The New England Quarterly. 54 (2): 264–266. doi:10.2307/364975. ISSN 0028-4866. JSTOR 364975.
  22. ^ "Enclosure: Poem by Phillis Wheatley, 26 October 1775". Retrieved December 7, 2023.
  23. ^ Selections from Phillis Wheatley Poems and Letters Archived 2006-09-08 at archive.today
  24. ^ "Immune Columbia, Pattern, United States, 1785". Smithsonian Institution. Retrieved July 4, 2024.
  25. ^ "Origins: The Female Form as Allegory". Archived from the original on October 23, 2019. Retrieved March 25, 2014.
  26. ^ "20 Dollars, National Bank Note, United States, 1883". Smithsonian Institution. Retrieved July 13, 2024.
  27. ^ "Fractional Currency". Bureau of Engraving & Printing. Historical Resource Center. Retrieved July 13, 2024.
  28. ^ "2 1/2 Dollars, Panama-Pacific International Exposition, United States, 1915". The Smithsonian Institution. Retrieved July 4, 2024.
  29. ^ "Panama-Pacific Exposition Half Dollar". United states Mint. Retrieved July 13, 2024.
  30. ^ "Hail Columbia". Hail Columbia. Archived from the original on November 18, 2012. Retrieved February 2, 2013.
  31. ^ Literata (2011). "Columbia". The Order of the White Moon Goddess Gallery. Archived from the original on October 24, 2012. Retrieved February 2, 2013.
  32. ^ "Columbia Beckons from the Pediment, But How Did She Get There? Exploring Colorado Capitol Architecture". Colorado Ligesource. August 11, 2016. Retrieved July 9, 2024.
  33. ^ "Bountiful Veteran's Park". Bountiful Veteran's Park. Retrieved July 22, 2024.
  34. ^ "History in Bronze: Troy's Monument Square". News10. January 29, 2021. Archived from the original on June 4, 2024. Retrieved June 4, 2024. The 17-tall bronze statue ... depicts the Goddess Columbia
  35. ^ "Illinois monument". National Park Service. Retrieved July 27, 2024.
  36. ^ "Civil War Monument, Central Park, Jacksonville, Illinois". SAINT LOUIS PATIENTNA. April 9, 2022. Retrieved July 27, 2024.
  37. ^ "Columbia, (sculpture)". Art Inventories Catalog Smithsonian American Art Museum Smithsonian Institution Research Information System (SIRIS). Retrieved July 27, 2024.
  38. ^ "Columbia Triumphant Park and Statue Liberty Triumphant". The Historical Marker Database. Retrieved July 21, 2024.
  39. ^ "Victory, World War I Black Soldiers' Memorial, (sculpture)". Sumithsonian Institution. Retrieved July 27, 2024.
  40. ^ "Pittsburgh school's World War I memorial restored for its centennial". 90.5 WESA Pittsburgh's NPR News Station. June 3, 2024. Retrieved July 27, 2024.
  41. ^ "Hospers Memorial Statues". Roagside America.com. Retrieved July 27, 2024.
  42. ^ "Oak Park River Forest War Memorial". Landmarks Illinoi. Retrieved July 28, 2024.
  43. ^ "Soldiers & Sailors WWI Monument - Montclair". Memorial. Retrieved July 29, 2024.
  44. ^ "Winged Victory - Manchester". Waymarking.com. Retrieved July 29, 2024.
  45. ^ "the World War II West Coast Memorial to the Missing". Presidio. Retrieved July 29, 2024.
  46. ^ "Chateau-Thierry Monument, Route du Monument , Chateau-Thierry, Departement de l'Aisne (France), FR". Liberaty of congress. Retrieved July 4, 2024.
  47. ^ Hatchett, Charles (1802), "Outline of the Properties and Habitudes of the Metallic Substance, lately discovered by Charles Hatchett, Esq. and by him denominated Columbium", Journal of Natural Philosophy, Chemistry, and the Arts, I (January): 32–34.
  48. ^ Nicholson, William, ed. (1809), The British Encyclopedia: Or, Dictionary of Arts and Sciences, Comprising an Accurate and Popular View of the Present Improved State of Human Knowledge, vol. 2, Longman, Hurst, Rees, and Orme, p. 284.
  49. ^ Bernard F. Dick. The Merchant Prince of Poverty Row: Harry Cohn of Columbia Pictures. University Press of Kentucky. pp. 40–42.

Sources

  • Higham, John (1990). "Indian Princess and Roman Goddess: The First Female Symbols of America", Proceedings of the American Antiquarian Society. 100: 50–51, JSTOR or PDF
  • Le Corbeiller, Clare (1961), "Miss America and Her Sisters: Personifications of the Four Parts of the World", The Metropolitan Museum of Art Bulletin, vol. 19, pp. 210–223, PDF Archived 2019-08-05 at the Wayback Machine
  • George R. Stewart (1967). Names on the Land. Houghton Mifflin Company: Boston.